拍賣筆記 vol.151 邦瀚斯倫敦：埃斯肯納齊，北宋耀州窯青釉刻花折枝牡丹紋折沿盤 - Eskenazi, A Yaozhou Celadon-Glazed Carved 'Peony' Shallow Bowl

耀州窯目前最大的問題是造假和打槍，這兩個是阻礙市場發展的主要因素，又同時是人性中無法擺脫的慣性。這件器物傳承清晰，特別是具有埃斯肯納齊（Eskenazi Ltd）的加持，讓以上提及的顧慮較為少見。

這件器物的優點是刻畫流暢，顏色上是傳統的橄欖綠，這也是學習「橄欖綠」、耀州窯刻劃的入門佳作 —— 審美上、質量上皆有保證。

宋磁 小山富士夫

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The biggest current issues with Yaozhou ware are forgeries and artificial price manipulation—two major factors hindering its market development, yet unfortunately also representing inherent tendencies of human nature. However, this particular piece possesses a clear provenance, especially distinguished by its connection with Eskenazi Ltd, significantly alleviating the aforementioned concerns.

This vessel's key strengths lie in its fluid and skillful carving and its classic olive-green glaze—making it an exemplary piece for beginners seeking to familiarize themselves with authentic Yaozhou ware's iconic carving style and glaze color. Its aesthetic appeal and assured quality make it a reliable choice for both appreciation and study.

絕版威尼斯1954中國藝術大展圖錄：MOSTRA D'ARTE CINESE 1954

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北宋 耀州窯青釉刻花折枝牡丹紋折沿盤

A YAOZHOU CELADON-GLAZED CARVED 'PEONY' SHALLOW BOWL

Northern Song Dynasty

INSTINCT & KNOWLEDGE A LIFE IN THE COMPANY OF SONG CERAMICS

15 5月 2025, 10:00 BST

倫敦，新龐德街

£20,000 - £30,000

來源：

香港蘇富比，1986年5月21日，拍品編號38

倫敦古董商埃斯卡納齊Emmanuel Christofides (1928-2020)，雅典和倫敦，從上處獲得於1986年2月12日

展覽著錄：

D.Priestley和M.Flacks，《A Life in the Company of Song Ceramics》，倫敦，2017年，第42-43頁，編號15

可比較一件相似之耀州窯青瓷刻牡丹紋碗，裝飾極為類似，見鮑氏收藏（Baur Collection）藏品，刊於J. Wirgin所著《宋代陶瓷紋飾》（Sung Ceramic Designs），斯德哥爾摩，1970年出版，圖版4 k。另有一件12世紀相似紋飾之碗例，見《世界陶磁全集》（Ceramic Art of the World）第12卷，東京，1977年出版，圖錄編號197。再參照一件類似之例，刊於《繭山龍泉堂七十年》（Mayuyama, Seventy Years）卷一，東京，1976年出版，編號346及348；另北京故宮博物院亦藏一例，載於《故宮博物院藏文物珍品全集．兩宋瓷器（上）》，香港，1996年出版，第141頁，編號127。此外，另參考一件金代耀州青瓷盤，裝飾類似，載於《關氏收藏宋代陶瓷》（Song Ceramics from the Kwan Collection），香港，1994年出版，第216至217頁，編號90。

另可比較一件北宋耀州窯青瓷牡丹紋盤，裝飾相關，曾售於紐約蘇富比拍賣會，2018年9月12日，拍品編號211。

A YAOZHOU CELADON-GLAZED CARVED 'PEONY' SHALLOW BOWL

Northern Song Dynasty

Finely potted with broad gently curving sides rising from a short, slightly spreading foot to an everted rim, deftly carved in the well with a blossoming peony mantled by scrolling foliage, the fine incisions suggesting veins on the petals and leaves, covered in a rich olive-green glaze pooling to a darker tone in the recessed areas, box. 19.8cm (7 6/8in) diam. (2).

Compare with a similar Yaozhou celadon-glazed carved 'peony' bowl with very similar decoration, in the Baur Collection, illustrated by J.Wirgin, Sung Ceramic Designs, Stockholm, 1970, pl.4 k. Another similar bowl with similar decoration, 12th century, is illustrated in Ceramic Art of the World, vol.12, Tokyo, 1977, no.197. Compare also with a similar bowl illustrated in Mayuyama, Seventy Years, vol.I, Tokyo, 1976, nos.346 and 348; and another similar bowl in the Palace Museum, Beijing, in The Complete Collection of Treasures of the Palace Museum: Porcelain of the Song Dynasty I, Hong Kong, 1996, p.141, no.127. See also a similar Yaozhou celadon dish, Jin dynasty, with similar design, illustrated in Song Ceramics from the Kwan Collection, Hong Kong, 1994, pp.216-217, no.90.

See a related Yaozhou celadon-glazed 'Peony' dish, Northern Song dynasty, which was sold at Sotheby's New York, 12 September 2018, lot 211.