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宋代筆記 vol.40 南宋龍泉窯鬲式爐 東京國立博物館展 常盤山文庫藏 - Longquan Censer, Tokyo National Museum.


longquan censer southern song dynasty

此器口沿外折,短頸,扁形鼔腹,腹底有等距離三足。胎質潔白堅硬,釉呈粉青色,溫潤如玉,肩部凸起弦紋一周,腹部凸起三稜延至足部,凸起處釉薄成白色,是有意識的顯露其白色胎質,俗稱「出筋」。這是龍泉窯青瓷渲染釉色青翠和胎質純淨的特殊技法,燒制難度很大。

It has a short neck, a flattened belly, and three equidistant feet on the base of the belly. The tire is white and hard, the glaze is pinkish-green and as warm as jade, with a week of raised string patterns on the shoulders and a raised triple ridge on the abdomen extending to the foot, the glaze thinning to white at the point of projection, which consciously reveals the white tire, commonly known as "out of the sinews". This is a special technique for rendering the glaze green and the tire pure in Longquan kiln celadon, and it is very difficult to produce.


SACA學會 宋代筆記 vol.40 南宋龍泉窯鬲式爐 東京國立博物館展 常盤山文庫藏



此器造型端莊古樸,色澤典雅,紋飾簡潔,給人一種堅實有力的感覺,充分體現出南宋龍泉窯高超的制瓷技藝。 


龍泉窯在今浙江省龍泉縣,始燒於唐,南宋時期創燒的粉青、梅子青品種代表了古代青瓷燒制的最高水平,許多產品採用多次施釉方法,釉色蔥翠,鮮麗奪目。


宋代筆記 vol.17曾發表一件來自上海博物館的作品,還有宋代筆記 vol.26 一件來自克拉克舊藏的將近700萬港元成交的大爐子,但是尺寸都比本品大。


This vessel has a dignified and simple shape, elegant color and simple decoration, giving people a feeling of solidity and strength, fully reflecting the superb porcelain-making skills of the Longquan kiln in the Southern Song Dynasty.


Longquan kiln in present-day Longquan County, Zhejiang Province, was first fired in the Tang Dynasty, the Southern Song Dynasty, the creation of the powder green, plum green varieties represent the highest level of ancient celadon firing, many of the products use multiple glazing methods, glaze color greenish green, bright and eye-catching.


Song Dynasty Notes vol.17 has published a piece from the Shanghai Museum, and Song Dynasty Notes vol.26 a large stove from the Clark Collection that sold for nearly HK$7 million, but both are larger than the present piece.


對比作品:


左、上海博物館;中、克拉克伉儷舊藏;右、東京國立博物館展 常盤山文庫藏(本品)/ Left, Shanghai Museum; Center, Mr. and Mrs. Clark Collection; Right, Tokyo National Museum (this item)


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