宋代筆記 vol.122 克利夫蘭博物館：宋元龍泉窯雙耳三足香爐 - Cleveland Museum, Song to Yuan Dynasty Longquan Tripod Censer

宋元龍泉窯香爐，這件作品不是典型的作品，較為罕見。龍泉窯南宋晚期到元代早期的時候，依然能製作釉色十分優秀的作品。典型例子就是上海博物館的龍泉窯四孔雙魚洗。雖然因為內壁繪有花卉，年代可能被定為元代早期，但是仍然展示出南宋巔峰時刻的龍泉窯技術。從這種作品上去推斷可以得知，年代的定論遠比想像中複雜。

從商業角度上，許多人偏向將質量略次一等的作品歸為元代，爾質量更好的歸為南宋。雖然大部分時間是對的，但是並不是一個100%的邏輯，質量上乘的元代器物依然值得被關注。

宋代筆記vol.03 上海博物館：南宋至元代龍泉窯四孔劃花雙魚洗 - Shanghai Musuem, Southern Song to Yuan Dynasty Longquan Twin Fish Basin

絕版威尼斯1954中國藝術大展圖錄：MOSTRA D'ARTE CINESE 1954

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Incense Burner: Longquan Ware

S. Sung-Yuan Dynasty, 13th-14th Century

China, Southern Song dynasty

(1127-1279)

glazed porcelain

Diameter: 13.4 cm (5 1/4 in.); Overall: 7.3 cm (2 7/8 in.)

John L. Severance Fund 1957.55

Provenance

Men-Chu Wang. Seller's No. 53

大都會博物館1916年東方部開幕展覽

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The Longquan Kiln incense burner from the Song-Yuan period is not a typical piece and is relatively rare. During the late Southern Song to early Yuan period, Longquan Kiln was still able to produce pieces with excellent glaze quality. A typical example of this is the Longquan Kiln Four-Hole Double Fish Basin housed in the Shanghai Museum. Although the presence of floral decoration on the interior may lead to the piece being dated to the early Yuan period, it still demonstrates the pinnacle of Longquan Kiln craftsmanship from the Southern Song period. This suggests that determining the dating of such works is far more complex than one might initially imagine.

From a commercial perspective, many people tend to categorize pieces of slightly lesser quality as belonging to the Yuan period, while attributing higher-quality pieces to the Southern Song. While this is generally correct, it is not a 100% rule. High-quality Yuan period objects still deserve significant attention.