宋代筆記 vol.123 克利夫蘭博物館:北宋汝窯洗 - Cleveland Musuem, Northern Song Dynasty Ru Brush Washer
- SACA
- Feb 25
- 4 min read

這個碟子內部的細小黑點是汝瓷特有的輕微瑕疵之一,這種瑕疵反而成為真品汝瓷的特徵之一。

汝瓷是所有中國帝王瓷器中最為稀有且最受推崇的。它是為北宋晚期的宮廷製作的,生產時間非常短暫,因此極為珍貴。汝瓷的標誌是簡約與精緻優雅。其優美的造型、柔和的光澤以及釉色細微變化相互交織,形成完美的統一。
其他物理特徵包括灰白色的胎體、柔和的灰藍色釉面,帶有細緻的開片紋,底部則有小芝麻點狀的輕微修製痕跡。

汝瓷洗
晚北宋(1000年代末至1127年)中國,河南省寶豐清涼寺,北宋瓷質石器,汝瓷
直徑:12.8厘米(5 1/16英寸);
高度:3.8厘米(1 1/2英寸)約翰·L·塞弗蘭斯基金 1957.40
來源
Men-Chu Wang,北京,中國,賣家編號18
?–1957(弗蘭克·卡羅(1904–1980),紐約,NY,售予克利夫蘭藝術博物館)
1957–克利夫蘭藝術博物館,克利夫蘭,OH
展覽歷史
《溪山無盡:亞洲藝術與謝爾曼·E·李的遺產》,克利夫蘭藝術博物館,克利夫蘭,OH(主辦)(2009年6月27日至8月23日)。
《陶瓷世界 - 克利夫蘭藝術博物館的名作》,克利夫蘭藝術博物館,克利夫蘭,OH(1982年6月30日至9月5日)。

The little black spot in the glaze inside the dish is one of the slight imperfections characteristic of genuine Ru ware.
Ru ware is the rarest and most celebrated of all Chinese imperial wares. It was made for the late Northern Song court for a very short time and was therefore extremely rare and precious. Simplicity and refined elegance are Ru ware's hallmarks. Its graceful shape, soft luster, and subtle color variation of the glaze interact in perfect unity. Other physical characteristics include an ash-grey body, soft greyblue glaze with a fine crackle, as well as small sesame-seed spur marks on the base.

Brush Washer
汝瓷筆洗盤
late 1000s–1127
(960-1127)
Diameter: 12.8 cm (5 1/16 in.); Overall: 3.8 cm (1 1/2 in.)
John L. Severance Fund 1957.40

Provenance
Men-chu Wang, Beijing, China. Seller's No. 18
?–1957
(Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art)
1957–
The Cleveland Museum of Art, Cleveland, OH
Exhibition History
Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).
The World of Ceramics - Masterpieces from The Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (June 30-September 5, 1982).

Citations
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 843
Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964. Mentioned and Reproduced: pl. 36, p. 340
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 256
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 256
Valenstein, Suzanne G. A Handbook of Chinese Ceramics. New York: Metropolitan Museum of Art, 1975. Reproduced: p. 75, fig. 30
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 338
Tichane, Robert. Those Celadon Blues. Painted Post, NY: New York State Institute for Glaze Research, 1978. Mentioned and Reproduced: fig. 3.14, p. 27.
Kleinhenz, Henry J. "Porcelains for Imperial Use: The Sung Dynasty." The Bulletin of the Cleveland Museum of Art 65, no. 4 (1978): 135–150h. Mentioned and Reproduced: p. 140, fig. 6, a
Ball, Victoria Kloss. Architecture and Interior Design. New York: Wiley, 1980. Mentioned and Reproduced: fig. 5.62, p. 204
Lee, Sherman E. A History of Far Eastern Art. New York: Harry N. Abrams, 1982. Mentioned: p. 369; Reproduced: p. 340, color pl. 36
Neils, Jenifer. The World of Ceramics: Masterpieces from the Cleveland Museum of Art. Cleveland, OH: The Museum in cooperation with Indiana University Press, 1982. Mentioned and Reproduced: cat. no. 106, p. 102
Guo li gu gong bo wu yuan 國立故宮博物院 . Hai wai yi zhen: taoci [海外遺珎. 陶瓷 = Chinese art in overseas collections, pottery & porcelain]. Zhonghua min guo Taibei Shi Shilin qu 中華民國台北市士林區: Guo li gu gong bo wu yuan, 1986. Reproduced: pl. 102, p. 102
Mowry, Robert D. "Koryo Celadons." Orientations vol. 17, no. 5 (May 1986), pp. 24–39. Reproduced: fig. 11, p. 32
Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. Masterworks of Asian Art. Cleveland, OH: The Cleveland Museum of Art, 1998. Mentioned and Reproduced: pp. 54–55
Chung, Anita. "A Connoisseur's Eye, A Scholar's Mind: The Legacy of Sherman Lee." Orientations vol. 40, no. 5 (2009). Mentioned and Reproduced: p. 32, fig. 6
Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2012. Mentioned and Reproduced: pp. 90–91
Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: pp. 98–99
Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016. Mentioned and Reproduced: p. 33
Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018. Reproduced: p. 123, fig. 70

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